Wucius Wong Biography, Works, Fundamentals of Design

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Jonah Lester
Wucius Wong Biography, Works, Fundamentals of Design

Wucius Wong (1936) is a famous painter who works with Chinese ink, being one of the main references of the movement known as New Ink in Hong Kong. In turn, it is considered the most important exponent of two-dimensional and three-dimensional design..

He is originally from Guangdong Province, China, although he grew up in Hong Kong. He was influenced by Lui Shou-Kwan, with whom he took his first steps in Chinese ink painting in 1955..

Source: Viinfagra [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.

His role has been fundamental for the promotion of literature and modern art, being also a member of the One Art Group. He has also played an important role as an art educator and administrator, bringing to Hong Kong many of the theories and concepts used in the modern era by Westerners. He was in charge of spreading these ideas thanks to the publication and organization of events.

His influence has been so important that he helped develop and teach design courses that have served to train a large number of designers.

Article index

  • 1 Biography
  • 2 Book Fundamentals of Design
    • 2.1 Design definition
  • 3 Other works
    • 3.1 Characteristics of your paintings
  • 4 References

Biography

Wucius Wong was born in 1936 in Taiping, a province that is part of Guangdong, in China. From a very young age, his place of residence was Hong Kong, where he first showed interest in the Western style of painting and design..

At first, literature was also part of his interests, although little by little he leaned more towards the plastic arts and specifically in design..

Wong's first steps in the area of ​​design were made by studying and experimenting with traditional concepts, albeit with a turn towards more modern details and elements. He became one of the great exponents of his style, with works exhibited all over the world.

During the 1950s, Wong moved to the United States. There he enrolled in the Columbus College of Art and Design, an institution located in Ohio. Some time later he also studied at the Maryland Institute of Art, which is located in Baltimore, an institution where he obtained a Bachelor's degree and a master's degree..

After completing his training in the United States, Wong decided to return to China. He got a job as a curator at an art museum. He also taught at the Swire School of Design, part of the Hong Kong Polytechnic..

In the 1970s he was awarded a scholarship by the John Rockefeller III Foundation. This helped Wong to carry out an important series of studies that have to see how Western languages ​​can be reflected with the use of elements such as lines, lights and / or textures..

Book Design fundamentals

The book Design fundamentals is one of Wong's most important contributions to the world of design. This publication has become a bedside book for all design students, since all the definitions and details about two- and three-dimensional design are set out in great detail in the book..

On Design fundamentals The principles of visual grammar, which refers to the art of creating visual messages, are exposed and grouped in a simple way. These principles are essential when making a graphic construction.

The book is made up of three parts, which refer to the compilation of three texts by Wong. The first part was published in 1979 and was titled Principles of two-dimensional design. In this initial stage, Wong talks about the simplest concepts that have to do with flat representations or abstract shapes..

The second part is called Basics of two-dimensional shape. Here Wong focuses more on the way the shapes should be created. Expanded previously used concepts.

Fundamentals of three-dimensional design makes up the third part of the book. Study the way planes and lines meet to create different representations.

Design definition

For Wong, for a design to be considered as something good or well done, it had to represent the properties or attributes of something in the best possible way. This something could be a message, an object or just a product.

One of the keys for this representation to be successful is that the design had to take into account a context. Collect information to determine the best way to create something, but also to manufacture it, distribute it, later use it and that it could be integrated into the environment without causing cultural or social clashes.

Wong explained that "the creation of something should not only be aesthetic, but also functional, while reflecting or guiding the taste of its time".

Other works

In addition to his most important work, Design fundamentals, Wong did more posts on design. Wrote The Tao in Chinese Landscape Painting, Principles of Color Design, Y Digital graphic design.

Most of his works are available in Spanish, English and Chinese, the author's native language..

As for artistic works, Wong made various works that were exhibited throughout the world. Painted Reminiscence no.2 in 1975, with ink on paper, Searching for mountains in 2005, which was also a work done with India ink on paper.

Then, in 2009, he made Running water forever # 12 Y Mountain melody # 1. Both works were done with ink and Wong added color to them on paper..

Characteristics of his paintings

The paintings that Wong made during his career were composed by the use of geometric elements and by imposing landscapes. His works are built following the principles established in graphic design.

The landscapes seen in Wong's paintings are often portrayed as lonely places and reflecting a certain peace. Some scholars claim that his paintings reflect the same characteristics of poetry and nostalgia that he managed to convey when he wrote.

Mix elements of the West with the use of classic Chinese ink. In his calligraphy there is also a relationship between the strokes he makes and the negative space that remains.

His works are not only translated in black ink on white paper. Rather, the background is painted, has geometric designs, and elements with different tones are superimposed. These details made it possible to move the more traditional Chinese art to a new terrain and give it new characteristics..

References

  1. I love Vázquez, J. (1993). Elements of Visual Arts Theory. [Murcia]: University of Castilla-La Mancha.
  2. [Kaikodo]. (2000). Kaikodo journal. [Kamakura, Japan].
  3. Kuo, J., & Newland, J. (2010). Chinese ink painting now. New York: D.A.P./Distributed Art Publishers [distributor].
  4. Wechsler, J. (1998). Asian traditions / modern expressions. Taipei, Taiwan: Taipei Fine Arts Museum.
  5. Wong, W. (1972). Principles of two-dimensional design. New York: Van Nostrand Reinhold Co.

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