The sculpture in Romanticism it was a unique artistic style that adhered to the characteristics of the romantic movement of the time, which went against the classicist and neoclassical ideals of other artistic styles. Romanticism was characterized by giving preference to emotion in its works, as well as individual ideals.
This artistic movement sought to recreate again the art that occurred in the Middle Ages and is seen as a reaction of the artistic field to the Industrial Revolution and the Enlightenment. Romance sculpture could refer to both the human world and the natural world.
In both cases, a particular emphasis was placed on expressing new emotions that were not common in other works of art. Among these were surprise, terror, and fear. This movement sought to express the individual achievements of artists and people, through which it sought to improve the quality of society..
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All the sculptures of Romanticism sought to evoke human emotion, through gestures and expressions that were represented by the style of each sculptor. In many cases, the works came to combine elements of nature with human elements to represent ideas in a more concrete way.
Many of the artists of Romanticism based their art purely on ideas from nature. In fact, the most important sculptors of the time came to be known as animallier, which means "sculptor of animals". A large number of sculptures from Romanticism are simply representations of animals.
Although the works of Romanticism that stood out the most were the paintings, the sculpture was guided by the same naturalistic principles inspired by the French Revolution.
Sculpture from this period expressed the direct ideas of each sculptor. That is, the creations of each artist arose purely from their personal inspiration, without external interference from other unnatural factors..
The nature that surrounded each artist was one of the factors that most influenced the sculptors of this time. This idea was not directly related to the rise of Romanticism, but it was very common at the time and affected the movement closely..
Using models from other works was thought to negatively influence each sculptor's imagination. This made most of the sculptors of Romanticism use purely the original ideas that came to mind, excluding any external "artificial" stimulus..
The sculpture of Romanticism, as art used to do, represented what the artist wanted to say, but in a visual way. In other words, each work was a way in which the artist expressed his voice through his works..
The artists of Romanticism did not trust the human world, so they thought that the connection with nature was a fundamental aspect of all their works.
Many of these pieces represented angels or human forms with "wings", which echoed the natural influence in the human world that was sought to express at the time..
The sculpture of Romanticism did not develop to such an extreme, as did the painting of the time. This was mainly due to the fact that the most used material for the sculptures of the time was marble..
This material does not lend itself to the realization of expressions, as it is not as expansive as other materials (such as clay, for example).
However, the most important works of Romance sculpture emerged in the early 1830s, some 30 years after the rise of Romanticism as an art movement..
Most of the most prominent sculptors of Romance art were of French origin. In fact, the great sculptures of this period are found within the Gallic country and, particularly, in Paris..
Rude is a French sculptor, who was born in Dijon, on January 4, 1784. He studied at the art school in his hometown, until he went to work under the architect Charles Straeten after the second Bourbon intervention in France.
His most important romances were: The Neapolitan fisher boy playing with a turtle Y The marsellesa, a work that is in the Arc de Triomphe in Paris, considered one of the most important of Romanticism.
Barye was a famous French sculptor who was noted for his work developing sculptural works of animals. He is regarded as the father of the school animallier, that includes all the artists who were dedicated to sculpting animals. He was influenced by the paintings of Géricault, one of the most important Romance painters in France.
Among his most important sculptural works are: Grabbing a deer Y Jaguar Eating a Hare, both belonging to the school animallier of the France romance.
Pierre-Jean David was the original name of David d'Angers, who dubbed himself in such a way to distinguish himself from his teacher, Jacques-Louis David. He was one of the most important French medalists and sculptors of the Romance period.
He made a large number of sculptures for various tombs in France. In addition, he sculpted Rouget de Lisle, the one in charge of writing The marsellesa, the anthem of France.
Among the most significant contributions that d'Angers made to the sculpture of Romanticism are the Monument to General Gobert and the sculpted pediment of the Parthenon in France, which has a large number of sculptures depicting various liberal heroes from France.
Préault was a sculptor of the Romance movement born in 1809, which allowed him to receive art lessons from David d'Angers himself. Although Préault created a large number of relevant works, his studio was attacked in the mid-19th century and many of his pieces were destroyed as a result..
However, his sculptures perfectly represented the Romance thought of the time. Many artists after him, and even critics of the time, consider him a great influence on the Romance movement in France.
One of his most important works, which is still in good condition today, is Be quiet. This is a funeral work located in the Pere Lachaise cemetery, in Paris.
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